RICHARD GESS | Introduction | |
CAROLYN GUYER | After the Book? | |
JOE AMATO | Anthems 4 & 9 | |
GRACE BRAUN | Injection Comics | |
ROBERT CHEATHAM | Virtual Orphicality: Telepathy, Virtuality, and Encysted Sense Ratios | |
JANE DOUGLAS | Gaps, Maps, and Perception: What Hypertext Readers (Don't) Do | |
RICHARD GESS | Intergrams/Colloquy: Two Interactive Prosodies | |
FRANCESCO GIOMI | The Computational Score | |
CAROLYN GUYER | After the Book? | |
TERRY HARPOLD | Grotesque Corpus: Hypertext as Carnival | |
MICHAEL JOYCE | Hypertext Narrative | |
JUDY MALLOY | Wasting Time (IBM-compatible narrabase) | |
STUART MOULTHROP | Dreamtime (Macintosh HyperCard hyperfiction) Shadow of the Informand: A Rhetorical Experiment in Hypertext |
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MARTHA PETRY | Hypertext: Permeable Skin | |
CHEA PRINCE | Du Ranten (Rant II) | |
JIM ROSENBERG | Poetics and Hypertext | |
DEA ANN MARTIN | dolls, meat, avila | |
MARTIN ROZENBERG | Contingency, Liberation, and the Seduction of Geometry: Hypertext as an Avant-Garde Medium |